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・ Syntagma Metro Station Archaeological Collection
・ Syntagma Musicum
・ Syntagma Square
・ Syntagmatarchis
・ Syntagmatic analysis
・ Syntaracta
・ Syntarsus
・ Syntasoft
・ SYNTAX
・ Syntax
・ Syntax (band)
・ Syntax (disambiguation)
・ Syntax (journal)
・ Syntax (logic)
・ Syntax (programming languages)
Syntax (typeface)
・ Syntax Definition Formalism
・ Syntax diagram
・ Syntax error
・ Syntax guessing
・ Syntax highlighting
・ Syntax tree
・ Syntax-Brillian Corporation
・ Syntax-directed translation
・ Syntaxin
・ Syntaxin 3
・ Syntaxin 6 N terminal protein domain
・ Syntaxin binding protein 2
・ Syntaxin binding protein 3
・ Syntaxis


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Syntax (typeface) : ウィキペディア英語版
Syntax (typeface)

Syntax comprises a family of fonts designed by Swiss typeface designer Hans Eduard Meier. Originally just a sans-serif font, it was extended with additional serif designs.
==Syntax==
Syntax is a humanist sans-serif typeface designed by Meier in 1968, and released in 1969 by the D. Stempel Schriftgießerei (type foundry) of Frankfurt am Main. It is believed to be the final face designed and released by D. Stempel for foundry casting.
The original drawings were done in 1954; first by writing the letters with a brush, then redrawing their essential linear forms, and finally adding balanced amounts of weight to the skeletons to produce optically monoline letterforms. In the period 1968–1972, Meier worked on additional weights and variations to the Syntax typeface. In 1989, the original foundry metal design was digitized by Adobe, which also expanded the family to include bold and ultrabold weights, resulting in a font family of 4 romans and 1 italic (in lightest weight) fonts.
Meier described Syntax as being a sans-serif face modeled on the Renaissance serif typeface, similar to Bembo. The uppercase has a wide proportion, and the terminals not being parallel to the baseline provide a sense of animation. The lowercase a and g follow the old style model of having two storeys. The italics are a combination of humanist italic forms, seen in the lowercase italic q, and realist obliques, seen in the lowercase italic a, which retains two storeys, unlike in other humanist sans-serif typefaces like FF Scala Sans and Gill Sans, where the a has a single storey italic.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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